In “Constructions of Illusion: Photography and Commodity Culture,” Anandi Ramamurthy makes
the claim that photographs in advertisements are a key tool for the making of ideology. Drawing on evidence from her essay, show what she means by “ideology” and how advertising photographs are involved in its production. You might choose to focus on one of her case studies, but however you frame the argument, it is crucial that you cite the text and closely interpret the words that you cite.
I am not interested in the regurgitation of a dictionary definition.
My suggestion would be that you focus on an aspect of Ramamurthy’s discussion that most interests you and about which you might be inclined to develop in a longer argument about advertising.
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